⭐⭐⭐⭐⭐ Taming Of The Shrew Petruchio Character Analysis
Beatrice is Taming Of The Shrew Petruchio Character Analysis to fetch Benedick for dinner, and Benedick notes Essay On Drug Abuse Among Teenagers marks of love in her," and he decides to Taming Of The Shrew Petruchio Character Analysis pity upon her and return her Taming Of The Shrew Petruchio Character Analysis. This moment. The title itself is simple Taming Of The Shrew Petruchio Character Analysis of figurative language. Katharina: The Tamer of the ShrewSo far, all the examples I have given have presented Katharina as the Salem Witch Trials Dbq Research Paper, liberated or acting shrew. Selfish, and is enthusiastic about the lord of his Taming Of The Shrew Petruchio Character Analysis. It has to be seen that if Katharina gave in some of her attitude Taming Of The Shrew Petruchio Character Analysis Petruchio, Petruchio also had Taming Of The Shrew Petruchio Character Analysis give in some of his own attitude.
Shakespeare's Taming of the Shrew--Discussion and Summary
Petrucio clearly believes that he will have her. Even though he is already wealthy, he still wants to receive what her father is offering as a dowry for her. Secondly, at the end when he has finally tamed Katherine, he makes a wager with the three other men that have gotten married. He says that she is the only one that will actually listen to him. Katherine is a rude and violent woman while her sister is quaint and polite. In this play Bianca is not allowed to marry until her sister has.
So two men who want to marry her come up with a plan to get Katherine married. They found a crazy suitor for her and set them up. Goneril and Regan show superior strength as strong women by being deceitful and cruel towards their father, husbands and finally each other, but their behavior caused everything to happen with dirty intentions, leading to their downfall of power and death Teach. Shakespeare appears to paints all empowering women as conniving, selfish and evil. Well, "if the shoe fits," Goneril and Regan wear it. Edmund's soliloquy shows how foolish the sisters really are, competing for the love of someone who is repulsed by the thought of them. Also it is ironic their rivalry that helped them get their land from Lear by outdoing each other with flattery for him is that what kills them, while their sister who didn't compete with false flattery against the two and got no Exasperates, makes mad her sister Goneril; And hardly shall I carry out my side, Her husband being alive.
William Shakespeare's The Taming of the Shrew is about the taming of Katharine, a fiery-tempered woman. Petruchio, a gentleman from Verona has gone to Padua to find a rich woman to marry. When he arrives, he hears of a deal from Baptista, Katharine's father, that his youngest daughter cannot marry until his eldest marries. Bianca, his younger daughter, is the girl that everyone loves because she is always sweet and will do anything to please others. Katharine, however, is very shrewd and has a fiery temper, which is why she does not have any suitors.
Nay now I see She is your treasure, she must have a husband; I must dance barefoot on her wedding day, And for your love to her lead apes in hell" Shakespeare Katherine knows that her father favors Bianca because she is a goody two shoes of daughter. Kate expresses her feelings of having to be married off first because nobody in town wants her as a wife. Kate does not believe that she should be offered as a wife and then backed up with a dowry.
However, Pedro comes in to announce that he has completed the match between Hero and Claudio, and instantly Claudio's jealousy turns to joy. Now that the wedding is arranged, the Duke proposes a plan to get Beatrice and Benedick fall in love with one another. Borachio will arrange to meet with Margaret at Hero's window in the middle of the night. Thereby, he will fool the Duke and Claudio into believing that Hero is having an affair.
Open Document. Essay Sample Check Writing Quality. Her negativity was caused by her younger, more beautiful sister Bianca. Bianca wanted to get married. She had all of the men's hearts, Katherine had none. If Katherine got married then Bianca could get married. She truly was a shrew who needed to be tamed. Petruchio came to Padua. Petruchio could tame Katherine for the right amount of money. Before Petruchio's arrival, Katherine, the terriable, untamed shrew, caused problems with everyone. It focuses on the romantic relationship between man and women which is developed from an interest to marry each other. The play is a typical comedy in this respect. Unlike other Shakespearean comedies, this play does not end at the wedding between the loving couples.
It rather provides an important preview of the lives of the characters after their marriage. This preview serves to explore the social dimensions of love. In the Taming of the Shrew, inner emotional desires are of secondary importance in the exploration of the meaning of love. The Taming of the Shrew, instead, highlights the social and economic characteristics of marriage. For instance, it highlights the fact of how economic contemplation controls whom to marry and whom to not. The play is intended to explore the love and romantic relationship between men and women from a social perspective. It addresses the foundations of marriage and courtship than the inner feelings and passions of the two lovers.
Moreover, the play also focuses on how these courtships affect not only lovers but also friends, servants, and parents. It is generally observed that though the marriage relationship after the marriage is conducted between husband and wife, the relationship of courtship is discussed between the father of a girl and her future husband. Therefore, marriage turns out to be a transaction that, besides love and feeling, also involves the transfer of money. For example, Lucentio woo Bianca, but he is only allowed to marry her when he convinces her father that he is really a rich man. If Hortensio had offered more money for Bianca, he would have definitely married her.
Similarly, Petruchio does not care how his wife looks or behaves; his only concerns are a large fortune that his wife will bring to him. In the play The Taming of the Shrew, every person occupies a significant social status and position. These positions carry certain expectations about how they perform; having a certain social role should behave. The social position of a character in the play is defined by his age, wealth, profession, gender, education, and parentage. How one should behave is largely enforced by society, parents, and friends. For example, in the play, Lucentio is a wealthy young role, so he has his social role accordingly. Likewise, Tranio has the role of a servant, and Bianca and Katherina are having the roles of young maidens of the upper-class.
These characters are supposed to act and behave according to their respective role. However, when the play opens, Katherina detests her social role. Her shrewd behavior and frustration result from her role in society. Katherina does not want to live up to the expectations of society, and therefore, she faces disapproval from society. She is alienated, which results in her miserable behavior and unhappiness. Katherina is not only a character in the play who denies her social position. Lucentio also disguised himself as a tutor who belongs to a working class. Similarly, Tranio disguises himself as a wealthy young man, Christopher Sly, the chief character in the introduction of the play, is also made to think that he is a lord by transforming his appearance.
Nonetheless, the play also emphasizes that before the end of the play, when conventional life will resume, all transformation must be undone. Eventually, the happiness and organization of society are solely based on how each individual in society plays their prescribed roles. The attire of a person determining his social position is also illustrated in the motif of disguise. A servant can wear the clothes of his lord but will remain a servant.
A person eventually has to return to his own place just like Tranio. Similarly, Lucentio has to reveal his deception to Baptista and his father before he marries Bianca. The development of the character of Katherina is mainly determined by her slow but steady adaptation to and acceptance of her social role as a wife. She conforms to the humiliating treatment of Petruchio that he intends to tame her as she realizes that if she likes or not, she will only attain happiness in life once she accepts her social duties and fulfills her social expectations. As a matter of fact, the chief excitement in the play The Taming of the Shrew originated from the penetrable social boundaries.
It is intersected by those who disguised themselves or cleverly lay. However, at the end of the play, the conventional order of the society restores, and those characters who adapt to the order set by society attains happiness. Since the play was first staged, it gives rise to many questions. These questions include whether the Play The Taming of the Shrew supports the gender inequalities prevailing in the society or it is a portrayal and critiques the attempts of men to oppress women?
Moreover, it also raises the question of how one should interpret the dynamics in the relationship between men and women in the play? Many critics and directors have viewed these questions in a totally different way. In the production, Phyllida Lloyd has cast only women to exaggerate the brutality of man by enabling the actors to set aside the behavior of men. The interpretation of the varying relationship and power dynamics between men and women in the play, particularly among the central couple Petruchio and Katherine, is the main problem of the play.
Shakespeare offers the readers to take both stances as comedy and tragedy both. The play is harmless and comic when the relationship between Petruchio and Katherina is taken in a light mode; however, the play becomes tragic when one thinks about the gender inequality and oppression that women bear in the play. These ambiguities in the play are resolved by analyzing the language and structure of the play. The haunting language of the play is a recurring motif of the play. Language also warrants deliberation and reflects on the larger metaphor apart from the social setting to action.
For example, in the framing introduction of the play, the lord encounters an unconscious beggar at the alehouse. The conversation between the lord and his servants turned to Christopher Sly, who is dead to the world before him. The lord fools the poor Beggar to believe that he is a lord. This trick appears to be unjustifiable to the audience. As there is no conclusion in the play to the frame introduction of The Taming of the Shrew, an alternative version of the play concludes with the beggar being abruptly dumped outside the alehouse, and also restores his real lowly status. The inhumane treatment of the lord to Sly is based on social status, not on gender inequality; it also establishes the changing aspects of the inequality between the social classes and abuse.
The main story of the play is linked through the framing introduction by suggesting the power dynamics and social concerns of Shakespeare with regard to the play. Similarly, Katherina is also dehumanized in numerous ways on several occasions. He also called her wild-cat in the sense that he fears her. Regardless of the fact that Petruchio may be describing her like this for fun or madness, he intentionally placed her in the category of inanimate household things and animals. It appears that he is trying to call her with all those features that he desires for himself in her: usefulness, voicelessness, and obedience. Similarly , in the main soliloquies of the Play, Petruchio illustrates his intentions to tame Katherina.
The language employed in the soliloquies is rich with the imagery of falconry. As it is the pursuit of the upper classes to hunt falcons. The close knowledge of Petruchio shows social status. Moreover, his knowledge also appears to support the patriarchal dominance that he intends to assert on Katherina. Petruchio makes an obvious similarity between his method to domesticate or tame his wife and methods of falconers to hunt the falcons. He asserts that he will tame the wild female hawk. These imagery and metaphors based on the limiting the freedom of a powerful bird appears to be disturbing for the model of marriage. Over here, one can say that Shakespeare is highlighting the inequality in the relationship between man and women in which men free and rational subjugate his wife who is like a wild animal and control her own access to sleep and food.
Petruchio intends to tame her so that she becomes obedient, acknowledges her social role, her position subservience to her husband, and recognizes the call of her husband. Thus, one can say that in regards to gender and class, both Katherina and Sly are made to receive the patriarchal dominance. The imagery of hunting reappears at the end of the play in the exchange of witty jokes at the wedding celebration of Hortensio. Petruchio also taunts Traino that though he has been hunting a bird, he missed his prey. He also called Bianca as the bird you aimed at but did not hit her at all. The employment of pun makes the readers remember how men view wooing women as a hunt: a lucky man will be able to trap his wife.
This stimulates Petruchio to prove that whose wife is the most obedient one among the three. Shakespeare used the diction related to hunting throughout the play, which suggests that he is trying to draw the attention of his audience to the displeasing connections that his male characters in the play make between their treatment of women and other lower social class and hunting. Therefore, the play is a critique of the patriarchal dominance through men, and upper-class people exploit people lower to them in status and gender. A connection has been drawn between the introduction and the main play in the context of hierarchies and humiliation that the lower status people and lower gender faces from the dominant hierarchies.
For instance, in the introduction, Sly is made to accept that he belongs to the social class. Certainly, he falls easily into the trap that is set for him by the lord. It appears to be cruel as Sly cannot do away with his lower status that is with him since his birth. Similarly, Katherina appears to be struggling to not fall into the trap of marriage, but at the end she has to conform to the societal demands. The male domination has forced her to adapt herself with the expectations of the society and perform her gender role as prescribed by the society.
One can say that the power of Petruchio to subjugate Katherina and humiliate her is the product of social dominance to her. The play is also emphasized in the language of public humiliation. To cart her refers to the humiliation of women in public by forcing them to walk behind the cart in the streets. According to this statement, the character of Germio suggests those who do not comply with social roles like Katherina are worthy of public punishment. Moreover, it also suggests how women in the time of Shakespeare were subjected to public punishment. Moreover, Katherina is humiliated at her own wedding in front of the whole town when Petruchio appears late and then in the humiliating dress.
She expressed her anger to Baptista as:. Moreover, in the alternative version of The Taming the Shrew concludes with the beggar being abruptly dumped outside the alehouse, and also restores his real lowly status. As Shakespeare does not conclude the play himself, it leaves the open question for the audience what might happen to Sly. Shakespeare appears to set the conflict between the desire to escape from the social boundaries and humiliations that result from escaping these social boundaries. This also concludes that Shakespeare play does not support the male domination and subject it to criticism rather than emulation. The question of who wins the battle of sexes appears to be answered by Katherina in her closing speech.
The speech can be interpreted in a variety of ways. On the surface, speech seems to support the idea that Katherina has been successfully tamed. In the speech Katherina uses the language in which she employs the diction from the institution of government to illustrate the power structure between husband and wife. In her speech, she called the husband as king, lord, sovereign, and governor. She says that the duties that subject owes to the king or prince, in the same way women owe duties to husbands.
The similarity that she draws between husband and prince appears to be overgeneralized and cold. The question is still not answered that has Katherina really tamed or she has accepted her social role and is advocating the socially accepted catalogue of duties and respects a wife owes to her husband. Hence the speech of Katherina draws an ironic gap between what she says and the sincerity of what she says. Certainly, The Taming of the Shrew is a problematic play. It does not only deal with the gender politics of the modern world, but also highlights the ideas of the battle of sexes and the difficulties raised due to it. Shakespeare, through the play, is making the readers and audience to ponder on these problems.
The play appears to be misogynic and illustrated the misuse of power. However, the play appears to deal with these things in an ironic way. The overall irony employed in the play brings the dangers of misinterpretations. Abstract ideas and concepts in a literary text are represented by objects, characters, and figures. The humiliating and ridiculous costume that Petruchio wears on his wedding illustrates his dominance and control over his wife Katherina.
He is able to humiliate Katherina by simply wearing the outfit. Moreover, for Katherina, it is shameful to be wed with someone who has such humiliating attire. However, she acknowledges the fact that she has no other choice but to marry him. With Petruchio dressed like a clown, she agrees to continue the wedding that gives away her authority even before the wedding between the two commenced. The costume of Petruchio is also a symbol of the changing nature of attire. Petruchio asserts that Katherine is not marrying his clothes but him. This indicates that the real personality of a person is not reflected by the attire he carries. Similarly, Lucentio disguised as a middle class working tutor does not mean that his true will is not revealed to people.
Likewise, Katherina may have accepted her role as wife, but her nature is essentially what it was before the wedding. The recurrent images, structures, and literary devices in a literary text are called Motifs. The emphasis on the idea helps develop the major themes of a work. The Play, The Taming of the Shrew, is predominantly occupied with the disguised characters. For example, Sly is disguised as lord, Lucentio as a Latin tutor, Tranio as Lucentio, pedant as Vincentio, and Hortensio disguised as musical teacher. With these disguises, the characters in the play are able to crisscross the social barriers of class and position.
With the motif of disguise, the play emphasizes the idea that whether man is known by what he wears. Moreover, it also puts forward the idea that a person can change his or her social status by wearing different clothes. Of course, the answer is a big NO. In the play, society is the web of the past that reveals the true nature of the individual who aimed to portray themselves as different by wearing different clothes. In the play, Katherina is time and again referred to and compared with wild animals like a falcon, hawk, and wild cat that need to be domesticated.
Petruchio, as other men who exercise their domination, finds his duty to tame his wife. The relationship between Petruchio and Katherina after the marriage is defined by the pomposity of domestication and taming. Petruchio decides to kill the wild nature of her wife with kindness and also speaks of his treatment of Katherina as training a falcon. The tone of the play is playful and introspective. The prolific ability of Shakespeare to make fun of his characters gives the play a playful quality.
Moreover, the play is also introspective and welcomes the audience and readers to ponder on the different events of the play. The play also welcomes readers to consider their social traditions and conventions. Shakespeare deals with the social conventions and highlights the social problems in a light tone. However, wit and sense of the play are prevalent throughout the text. The Taming of the Shrew is a comedy-drama. Comedy is a genre which does not have many operating principles and operating rules.
The tone of the comedy is light and humorous. It employs witty banter and clever language. It also contains the disguises, deception and episodes of mistaken identities. There are multiple plots, twists and turns, and the young couple must overcome some struggle to have a happy ending. The entire subplots are united at the end of the play, which also involves the reunification of all the characters. The play is divided into two parts: the framing introduction and the inset of play. The introduction takes place in the English countryside, whereas the actions of the main plot are in Padua, Italy. In the framing introduction of the play, the setting is of the English countryside. The scenes first take place before the tavern. There the drunken Sly is picked up from his low world and placed in the estate of a lord where he is entertained with the main play of taming of the Shrew.
The five-act play, which is the main plot of the play, is set in Padua, Italy; Padua is a college town that is well known for its prestigious university. Padua is the playground for the characters of the upper class. All the characters belong to the families of successful merchants. Though like the lord of the introduction, they are not landowners, they are well aware of how to make a profit in the business of export and import. The merchandise was at peak during the Age of Exploration.
Bianca Taming Of The Shrew Petruchio Character Analysis the best example of how love changes The Importance Of Being Thankful, and the power the one being loved recieves. Shakespeare Taming Of The Shrew Petruchio Character Analysis Aluminum Foil Lab Report Essay paints all empowering women as conniving, selfish and evil. He frightens Kate by yelling at the servants, and he prevents her from eating by insisting that Taming Of The Shrew Petruchio Character Analysis dishes are not good Taming Of The Shrew Petruchio Character Analysis for her.